One aspect of the final film in the trilogy, Ong Bak 3, to which I keep returning is the relationship between classical Thai dancing, prayer, healing, and martial arts. Pim's dance in front of the temple while Tien is healing from the brutal torture he received from Lord Rajasena's men moves me tremendously. Every position, every motion is so precise. Pim invests herself so wholly in the dance. I can feel the dance-as-prayer and measure its effectiveness, its genuineness, its heartfelt urgency by the technical perfection of the performance.
What does this have to do with anything? I feel a need to unravel the problem of the function of art as a prerequisite to justifying my personal approach to YA literature. My heart belongs to Oscar Wilde and his aestheticism, his belief in art for its own sake, his dismissal of utilitarian concerns. But I recognize that this, and other similarly Decadent approaches, comes from a place of privilege and comfort not experienced by vast numbers of people. It is a white male thing. Or is it?
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AuthorJeffrey Babbitt, MLIS, is a graduate of the School of Library and Information Science at Wayne State University who is pursuing a career as a librarian in Michigan. Subject Headings
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Inter- Library Loan004.02020025.431027.62090813.009Archives
June 2021
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