My one-year-old loves "Thomas and Friends," a toy model-based television series about living trains who strive to be useful for a rich capitalist on a British island. Something never sat quite right with me about the series, despite its narration by favorite comedian George Carlin. Imagine my surprise, or don't, when a Google search for "Thomas and Friends Marxist critique" came back with several hits: Slate's "Thomas the Imperialist Tank Engine" from 2011, The Guardian's "Thomas the Tank Engine had to shut the hell up to save children everywhere" from 2014, and the New Yorker's "The Repressive, Authoritarian Soul of 'Thomas the Tank Engine & Friends'" for instance. Sir Topham Hat as robber baron teaches trains and children that they must be "really useful engines" to have any worth at all. Since the barrage of criticism, the show has apparently been "shunted down the left track," angering conservatives with its "Marxist undertones." This revelation dovetails with the rabbit hole into which I've recently dived concerning pure vs. applied literary criticism and young adult literature.
There is a delicious irony in using Marxist criticism (an applied criticism) to point out the death of play in literary exploration. Play is the distinguishing element between the two approaches to literature, I think. Applied criticism seeks to establish that a work is "good for something," that it serves a purpose. Articles on how to use YA literature for this or that fall into this category: awakening empathy or fighting patriarchy as well as more traditional pedagogical concerns. Marxists don't decry the concept of being "really useful," after all. They only demand that one be useful (or at the very least, not harmful) to the right people: in this case, the workers. The other two critical theories Randy Ribay suggests we teach high school kids--feminism and postcolonialism--similarly demand that one be useful to women and indigenous peoples. There is nothing wrong with this: public education has multiple purposes--among them, to create good citizens, and good citizens care about equity and justice.
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I am really looking forward to bringing my talents, training, and passion to some organization and community where I can make a difference. Unfortunately, the time for that to happen turns out to be ... not now. Although I will finish my MLIS next month, I will not be seeking a professional position, or indeed any work outside the home, for the foreseeable future. My partner has developed a serious health condition and I need to focus on taking care of her and the children. When life gets a little more stable and predictable, I will pursue my career. In the meantime, I will continue to offer professional research and tutoring services from home and develop some creative and academic projects, hopefully for publication.
Due to an oversight, the email address associated with my Contact Form has been an old work address for the past 2 years! If you have tried to get a hold of me without success, I apologize. The problem has now been corrected. Thank you.
Toward a Plan to Take Lit Crit, YA Lit (& Teens) Seriously, with some autobiographical extrania3/13/2021 Notes toward a new project
OK. There's a new bug in my brain. There's a new stumbling block. I'm obsessing a bit on having lost A.S. King as a Twitter follower. We had gone back and forth a bit about the need for serious critical treatment of YA literature--like (in my head) examining YA fiction through the lenses of not only pedagogy (what is its educational value? how do I best teach YA lit?) and politics (Marxist, feminist, & postcolonial theories), but psychoanalytical, deconstructionist, and postmodernist theory. I had brainstormed a grand project investigating the meanings of surrealism, the connection between surrealism and adolescence, and King's surrealist novels. However, I blew it. I said something offensive or was just plain irrelevant and uninteresting on Twitter, or she didn't like the four-star review I gave Still Life with Tornado (which I may change, just because on rereading it for a paper, it gets better and better), and she left, just before her birthday. Or maybe it was just time for her to cut back on the number of people she was following, and I didn't make the cut. I don't know. All I know is three things: (1) That I'm bored with YA lit crit and want to inject something new into it, (2) I have difficulty restraining impulses to say things on social media (was it my comments about my past behavior with women that I regret, or the somewhat mean things I said about Rainbow Rowell's Fangirl, or ...?), and (3) I have a tendency to get really excited about connections and overstep boundaries. Anyway, she no longer follows me. Regardless, she seems like a stellar human being, and she's been through some rough stuff and come through the other side. I admire her, and my interest in her writing continues. Consider this a list of works to examine as a preliminary for a series of articles, and please suggest more if you know of anything, especially anything more recent: I haven't been here in a while (not that anyone asked). My youngest daughter (Calliope) was born February 5, two days before Ellowyn's first birthday. I'm in my final semester at Wayne State. Life is chaos with a thin veneer of order, full of cracks that make the chaos visible.
Still, I'm enjoying my classes. In YA Lit, I'm writing two papers on A. S. King, and in the course of that, I've had the good fortune to talk (virtually) with the author herself. In Creative Writing (which won't count toward the MLIS), I am currently writing a scene from a play in which Body and Soul (specifically mandated for this assignment, but I call them Mr. Corpus and Mr. Specter) have a wedding planning business and have a conversation about the floral arrangements for a wedding. It's fun, and creatively satisfying. I've made a start in seeking employment. Had a really good interview with an admirable system, but it was part-time and nonprofessional and over an hour commute. I will get back to that when my head is reasonably well above water. I would love to start the Disrupting Whiteness project, but I don't see that happening for a while. I can't pretend I'm anything but barely holding on, though. I will keep patching over the cracks so the chaos doesn't overwhelm me. |
AuthorJeffrey Babbitt, MLIS, is a graduate of the School of Library and Information Science at Wayne State University who is pursuing a career as a librarian in Michigan. Subject Headings
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June 2021
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